by Jeff Johnson, photo by Peter DiAntoni
A soft-spoken man with a plug of tobacco stuffed in his cheek, Acie White has the patient demeanor of a fisherman who has spent many pleasurable hours angling the banks of rivers and lakes.
by Jan Christensen / photo by Peter DiAntoni
John Lindquist had intended to join the Marine Corps right after he graduated from Washington High School in 1966. But he went to London to see the Rolling Stones first. Then, as so often happens, life got complicated.
by Peter Schmitdke / photos by Tess Reiss
Martin Dietrich runs his hand over a newly varnished bar top that is propped on a couple of garbage cans in his Sup Design shop. “The wood doesn’t look at all like that when it comes in,” he says. Dietrich points to a dozen or so industrial saws, sanding machines, and planers, and explains how each one contributed in transforming a rough chunk of wood into something that will be a fixture in his client’s home upon which drinks and meals will be served for generations.
Walking into Calvin Greer’s spacious Victorian home, you encounter two of his most highly valued African Art pieces on exhibit: a Benin (Nigeria locale) Oba bronze and a Bamun (Cameroon) fertility figure. The restored Victorian dwelling at 2463 N. Palmer St. is more than a home for people. The Greer Oaks Art Gallery is home to artifacts from multiple art traditions.
For those who ain’t heard by now, Element’s solo song, “Show and Prove” is featured on the sound track of rapper LL Cool J’s major motion picture, Deliver Us from Eva. Her soul-deep vocals and innovative style make her a crucial force on her own as well as an essential member of the dynamic musical poetry group, Black Elephant.
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